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A prolific artist with a protean output, Georg Baselitz has
rethought the conventions of a range of media, predominantly
painting and sculpture, over the course of a career of some sixty
years. Born in 1938, Baselitz was expelled from art school in East
Berlin in 1956 for ‘socio-political immaturity’, and moved to
the western half of the city. By the late 1950s, he had rejected
the dominant tendencies of both sides of the country and his
singular achievement was to reintroduce the figure, compromised and
discredited though it was by both Nazism and Communism, into art.
By drawing attention to art by ‘outsiders’, such as psychiatric
patients, and invoking a Parisian model of existentialist art and
literature, Baselitz proposed an alternative European tradition
that did not eliminate the human subject. In alluding later to
movements in German painting such as Expressionism as well as to
artists like Munch, he also consciously rehabilitated the kind of
art that was condemned by Hitler as ‘degenerate’. The book
follows the development of Baselitz’s unique style from his
earliest work through to the most recent creations of his eighth
decade. Calvocoressi’s masterful construction of a chronological
narrative helps us to evaluate Baselitz’s work in terms of the
disruptions of his life – historical upheavals witnessed
alongside an astonishing career. With 406 illustrations in colour
This book highlights a theme that preoccupied Francis Bacon
throughout his career: the relationship between two people, both
physical and psychological. At its heart are two of the most
uninhibited images that Bacon ever painted: Two Figures (1953) and
Two Figures in the Grass (1954). After completing these
interrelated works, Bacon did not return to the subject until 1967,
the year that homosexual acts in private were decriminalized in
England and Wales, when he painted Two Figures on a Couch, also
featured in this volume. In Bacon s paintings, the human presence
is evoked sometimes viscerally, at other times more fleetingly, in
the form of a shadow or a blurred, watchful figure. In certain
instances, the portrayal takes the form of a composite in which
male and female bodily traits are transposed or fused. A number of
the works in Couplings were inspired by Bacon s own fraught
relationships. Francis Bacon: Couplings features an introductory
text by Richard Calvocoressi; a new essay and plate texts by Martin
Harrison; and a never-before-published interview with Bacon by
Richard Francis and Ian Morrison; as well as studio ephemera and
working documents that illuminate Bacon s process.
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Jenny Saville (Hardcover)
Richard Calvocoressi
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R3,681
R2,813
Discovery Miles 28 130
Save R868 (24%)
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Thirteen years after her first Rizzoli monograph, British artist
Jenny Saville releases this much-anticipated volume--her most
comprehensive to date--including many never-before-published
paintings. One of the most renowned living figurative painters of
our time, Saville has set auction records and her highly sensual
canvases invite us to consider the female form in all its glory.
Great artists are of their moment, but push boundaries to
revitalize our world. The British artist Jenny Saville is best
known for painting monumental close-ups of large nude women
exposing things that are usually left unshown: flab, fat, bulge.
Today, when the body has never mattered more or counted less,
Saville is undoubtedly the painter for our times. Saville has
specialized in subjects on the margins of society: the obese, the
disfigured, and transsexuals; yet under her fluctuating light and
painstaking hues and layers, her subjects transcend their
strangeness to take on a universal quality. Among artists of her
generation, Saville is unusual in her devotion to figurative
painting. This much-anticipated volume unites new work with almost
all of Saville's paintings and drawings to date, many of them
unpublished works. Published in association with Gagosian Gallery,
the book also features a complete and illustrated chronology of the
artist's career. A conversation with acclaimed American
photographer Sally Mann, and essays by art critic Mark Stevens and
Gagosian Director, London Richard Calvocoressi complete the volume.
Volume one of this beautiful new book features archival images of
both artists among new texts by curator Joachim Pissarro and
others, as well as never- before-translated texts by Isaku
Yanaihara, Dino Buzzati, and Pierre Descargues. Detailed
illustrated chronologies for each artist complete volume one, while
the colorful second volume includes colour plates of all the works
displayed during Gagosian Gallery s 2016 London exhibition of the
same title, as well as installation images.
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Francis Bacon: Late Paintings (Hardcover)
Richard Calvocoressi; Text written by Richard Francis, Mark Stevens, Colm Toibin; Contributions by Martin Harrison
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R2,033
R1,497
Discovery Miles 14 970
Save R536 (26%)
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Out of stock
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Encompassing more than twenty-five paintings that Francis Bacon
made in London and Paris during the last two decades of his life,
this book serves as a companion to the 2015 exhibition at Gagosian
Gallery, New York, and is the first in-depth exploration of the
innovations of the artist's late work. In his late paintings,
Francis Bacon refined themes that had long obsessed him. He quoted
reflexively from his oeuvre, reworking subjects to strip them to
the bare essentials. This stunning new book features over 150
colour illustrations of the artist's work and related materials,
including reproductions of ephemera from Bacon's Hugh Lane studio.
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